Skip to main content

Nowhere to go and everywhere to look

Sitting beside the grave of a 2 day old infant whose family I don't know, I was confronted with a difficult mixture of feelings.  I could immediately imagine the importance of this bench for the child's mother, or father, who have somewhere to come, and know where their baby girl is.  As I stayed there awhile, the beauty of the graveyard became apparent - the stillness of the summer's evening, the colours of the trees highlighted and accented by the sunshine.  The brightly coloured windmill, standing beside the tiny grave of a little girl I never met. 

 
"Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. 
I miss you like hell."
Edna St. Vincent Millay (1892-1950)

There is perhaps nothing capable of taking away the pain of such a loss, but having somewhere to come, and be, must allow it to be there in a way that families of missing persons cannot experience.  The headstone speaks to the certainty of a life cut tragically short.  This child was born on 29 June and died on 1 July.  If it is not already, peace may one day be possible.  Sitting in front of her grave, I understood more deeply the predicament of those left behind when someone disappears.  For all the intellectual research and reflection I have done on the experience of ambiguous loss, nothing could speak to me more directly than the agonising ache I felt in my heart and in my gut as I sat there.  Families living in limbo have nowhere to go, and everywhere to look. 


 
"Sometimes, when one person is missing,
the whole world seems depopulated."
Alphonse Lamartine (1790-1869)



 

Comments

Popular posts from this blog

Table. Apple. Penny.

Whilst there were several places I might have been that morning, I wouldn't have been anywhere else.  The practitioner from the Memory Service arrived promptly.  I liked her instantly.    Mum was nervous.  I think I was a little, too.  It's been a difficult year.   "It's Friday, it's the fourteenth of December and I'm at home..."   No problems there.  CAMCOG, or the Cambridge Cognitive Examination is a thorough assessment tool used to assess the extent of extent of dementia, and to assess the level of cognitive impairment.  The standardised  measure assesses orientation, language, memory, praxis, attention, abstract thinking, perception and calculation.    "Table.  Apple.  Penny."   Three everyday items that were introduced at one point, and then referred to again later on.  Again, Mum was able to recall each.      I am reminded that the...

Glass half full? Glass half empty? Or perhaps the glass is broken

I am, constitutionally, a glass half empty gal.  I will always first acknowledge what I don't have, what I have lost, and what it is that I am seeking.  I tend to overlook my strengths, concentrating only on those bits of me that are underdeveloped or weak.  I refer to myself as a realist, but in doing so compliment myself and insult those who genuinely are simply realistic.  My modus operandi is to identify what's not working and acknowledge this before seeing more clearly what functions perfectly well.  This has its place: I edit others' written work pretty well.  My fastidious attention to detail serves me, and the author.  Accuracy counts, for me and I have an excellent memory.  I can remember a great many of my sessions with clients verbatim.  Even this asset is something I can, and do, diminish the true value of, by concentrating on 'I should have said...' or 'why didn't....  occur to me during the session?' Earlier this we...

Joan Miro: Emotional Art

"Painting and poetry are like love; an exchange of blood, a passionate embrace, without restraint, without defence.  The picture is born of an overflow of emotions and feelings." Miro, The Farm 'La Masia' (1921-22) I learnt a great deal about Miro on a recent visit to the Tate.  I learnt a great deal about a lot more too. Miro wanted to discover the sources of human feeling.  He described his method of creating poetry by way of painting, using a vocabulary of signs and symbols, metaphors and dream images to express definite themes he believed to be fundamental to human existence.  The exhibition displays his sense of humor and lively wit.  His chief concern was a social one; he wanted to get close to the great masses of humanity, and he was convinced that art can only truly appeal when it resonates with roots of lived experience.  "Wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly.  Courage cons...