Skip to main content

A Trip Down Memory Lane...



Returning to the once familiar surroundings of school evokes a strange mixture of feelings.  Memories of halcyon days, formative experiences and influential characters who have, undoubtedly, shaped my own.  I am left wondering, who is it that we 'reunite' with at a reunion?  Perhaps it is more about reuniting with parts of ourselves that may have been left behind in the environs of old than with those we shared them.

Wandering without aim around the streets where I had some of my earliest retail relationships, remembering the easily forgotten and noticing how much things have changed was illuminating on different levels.  Change is inevitable and yet, when returning to school, one could be forgiven for feeling that it shouldn't.  School was once a constant, as we were confronted by a panoply of change.  It stood for constancy.  Term after term, time seemed to stand still.  Until we left.

Parts of the fabric of the school seemed to have changed beyond recognition but as we explored there were remarkable facets that have remained untouched:  the less tangible memories conjured by sights, sounds and smells capable of transporting us back into our uniforms. 


We reflected on the sense that we held, whilst anticipating our own imminent departures, that the status quo was exactly as it should be, that it was 'our' school - a defence against the fear of being 'replaced' by pupils that would, like us, leave their books exposed to the elements in the quads, ascend the stairs and pace the corridors we once knew every inch of.  Far from unique, this narcissistic quality of a particular stage of youth, had been replaced with a maturity eager to reminisce amongst those who understood.












Comments

Popular posts from this blog

Table. Apple. Penny.

Whilst there were several places I might have been that morning, I wouldn't have been anywhere else.  The practitioner from the Memory Service arrived promptly.  I liked her instantly.    Mum was nervous.  I think I was a little, too.  It's been a difficult year.   "It's Friday, it's the fourteenth of December and I'm at home..."   No problems there.  CAMCOG, or the Cambridge Cognitive Examination is a thorough assessment tool used to assess the extent of extent of dementia, and to assess the level of cognitive impairment.  The standardised  measure assesses orientation, language, memory, praxis, attention, abstract thinking, perception and calculation.    "Table.  Apple.  Penny."   Three everyday items that were introduced at one point, and then referred to again later on.  Again, Mum was able to recall each.      I am reminded that the...

Glass half full? Glass half empty? Or perhaps the glass is broken

I am, constitutionally, a glass half empty gal.  I will always first acknowledge what I don't have, what I have lost, and what it is that I am seeking.  I tend to overlook my strengths, concentrating only on those bits of me that are underdeveloped or weak.  I refer to myself as a realist, but in doing so compliment myself and insult those who genuinely are simply realistic.  My modus operandi is to identify what's not working and acknowledge this before seeing more clearly what functions perfectly well.  This has its place: I edit others' written work pretty well.  My fastidious attention to detail serves me, and the author.  Accuracy counts, for me and I have an excellent memory.  I can remember a great many of my sessions with clients verbatim.  Even this asset is something I can, and do, diminish the true value of, by concentrating on 'I should have said...' or 'why didn't....  occur to me during the session?' Earlier this we...

Joan Miro: Emotional Art

"Painting and poetry are like love; an exchange of blood, a passionate embrace, without restraint, without defence.  The picture is born of an overflow of emotions and feelings." Miro, The Farm 'La Masia' (1921-22) I learnt a great deal about Miro on a recent visit to the Tate.  I learnt a great deal about a lot more too. Miro wanted to discover the sources of human feeling.  He described his method of creating poetry by way of painting, using a vocabulary of signs and symbols, metaphors and dream images to express definite themes he believed to be fundamental to human existence.  The exhibition displays his sense of humor and lively wit.  His chief concern was a social one; he wanted to get close to the great masses of humanity, and he was convinced that art can only truly appeal when it resonates with roots of lived experience.  "Wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly.  Courage cons...