Skip to main content

Simple Pleasures

Pedalling around London in the sunshine is my idea of heaven.  Being taken to Look Mum No Hands for coffee really was the icing on the cake that was my morning.  It's funny that, whilst negotiating pot holes and rather unfriendly traffic, including cars whose drivers decide to overtake only to immediately want to turn left, we both arrived feeling really rather content, and relaxed.
 
It is easy to forget the magic of cycling when you ride a bike most days, but on mornings like this, I'm glad to be able to reconnect with the joy riding my singlespeed around town gives me.

Most people know that cycling, as a form of cardio exercise is good for the body, but it has proven benefits for the mind and spirit too.  It's no surprise then that cycle training organisations are setting up "cycle for health" projects around the country, designed to help a diverse variety of people get back on their bikes with confidence. 

Two lattes later, puncture repaired and inner tube replaced, I was ready to head up to NW3 via the West End, taking an hour out of my not particularly busy day to potter around Marylebone High Street and two of my favourite bookshops.  After some rather inevitable impulse purchases, with panniers even fuller than usual, I made my way through Regent's Park to get up into North London proper.  I can't help but feel privileged to live in the city whenever I cycle past the stucco fronted Nash terraces, villas and ambassadorial residences.  It certainly beats a spinning class. 




Comments

Popular posts from this blog

Table. Apple. Penny.

Whilst there were several places I might have been that morning, I wouldn't have been anywhere else.  The practitioner from the Memory Service arrived promptly.  I liked her instantly.    Mum was nervous.  I think I was a little, too.  It's been a difficult year.   "It's Friday, it's the fourteenth of December and I'm at home..."   No problems there.  CAMCOG, or the Cambridge Cognitive Examination is a thorough assessment tool used to assess the extent of extent of dementia, and to assess the level of cognitive impairment.  The standardised  measure assesses orientation, language, memory, praxis, attention, abstract thinking, perception and calculation.    "Table.  Apple.  Penny."   Three everyday items that were introduced at one point, and then referred to again later on.  Again, Mum was able to recall each.      I am reminded that the...

Glass half full? Glass half empty? Or perhaps the glass is broken

I am, constitutionally, a glass half empty gal.  I will always first acknowledge what I don't have, what I have lost, and what it is that I am seeking.  I tend to overlook my strengths, concentrating only on those bits of me that are underdeveloped or weak.  I refer to myself as a realist, but in doing so compliment myself and insult those who genuinely are simply realistic.  My modus operandi is to identify what's not working and acknowledge this before seeing more clearly what functions perfectly well.  This has its place: I edit others' written work pretty well.  My fastidious attention to detail serves me, and the author.  Accuracy counts, for me and I have an excellent memory.  I can remember a great many of my sessions with clients verbatim.  Even this asset is something I can, and do, diminish the true value of, by concentrating on 'I should have said...' or 'why didn't....  occur to me during the session?' Earlier this we...

Joan Miro: Emotional Art

"Painting and poetry are like love; an exchange of blood, a passionate embrace, without restraint, without defence.  The picture is born of an overflow of emotions and feelings." Miro, The Farm 'La Masia' (1921-22) I learnt a great deal about Miro on a recent visit to the Tate.  I learnt a great deal about a lot more too. Miro wanted to discover the sources of human feeling.  He described his method of creating poetry by way of painting, using a vocabulary of signs and symbols, metaphors and dream images to express definite themes he believed to be fundamental to human existence.  The exhibition displays his sense of humor and lively wit.  His chief concern was a social one; he wanted to get close to the great masses of humanity, and he was convinced that art can only truly appeal when it resonates with roots of lived experience.  "Wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly.  Courage cons...