Skip to main content

January Resolve

2013 is now well under way.  The new year feels distinctly less new, and there are not too many working days left of January.  So, how are those resolutions panning out..?

I've always thought of January as somewhat of a clearing space - and tend to spend much of the fresh new year tidying away the old one.  I guess that comes, in part, with the territory of self employment, and the deadlines associated with the tax year.  But there's more besides.  


I am in the habit of tying up loose ends at this time of year.  My annual reflections flow into the new year, as I bridge between one calendar and the next.  I allow this process which might previously have been curtailed by academic terms or other externally imposed deadlines, and enjoy living through it, with an openness and a curiosity that the freshness of spring seems to bring with it.

January feels to have been a productive month.  Much has happened.  The old year has been thought about, before being 'filed', and I feel connected to the excitement of the months that lie ahead.  My diary has an inviting emptiness of it as plans are beginning to take shape, and things are unfolding gently, and in their own time.  

Spring cleaning feels appealing, and I began to take this from the psychological and into the practical in earnest last weekend.  I have been quite literally 'cleaning house'; embarking on a steady process of de-junking, and un-cluttering my physical space.  I have been enjoying the process and an enhanced sense of spaciousness.  Spaciousness for the sake of spaciousness feels very precious.




       

Comments

Popular posts from this blog

Table. Apple. Penny.

Whilst there were several places I might have been that morning, I wouldn't have been anywhere else.  The practitioner from the Memory Service arrived promptly.  I liked her instantly.    Mum was nervous.  I think I was a little, too.  It's been a difficult year.   "It's Friday, it's the fourteenth of December and I'm at home..."   No problems there.  CAMCOG, or the Cambridge Cognitive Examination is a thorough assessment tool used to assess the extent of extent of dementia, and to assess the level of cognitive impairment.  The standardised  measure assesses orientation, language, memory, praxis, attention, abstract thinking, perception and calculation.    "Table.  Apple.  Penny."   Three everyday items that were introduced at one point, and then referred to again later on.  Again, Mum was able to recall each.      I am reminded that the...

Glass half full? Glass half empty? Or perhaps the glass is broken

I am, constitutionally, a glass half empty gal.  I will always first acknowledge what I don't have, what I have lost, and what it is that I am seeking.  I tend to overlook my strengths, concentrating only on those bits of me that are underdeveloped or weak.  I refer to myself as a realist, but in doing so compliment myself and insult those who genuinely are simply realistic.  My modus operandi is to identify what's not working and acknowledge this before seeing more clearly what functions perfectly well.  This has its place: I edit others' written work pretty well.  My fastidious attention to detail serves me, and the author.  Accuracy counts, for me and I have an excellent memory.  I can remember a great many of my sessions with clients verbatim.  Even this asset is something I can, and do, diminish the true value of, by concentrating on 'I should have said...' or 'why didn't....  occur to me during the session?' Earlier this we...

Joan Miro: Emotional Art

"Painting and poetry are like love; an exchange of blood, a passionate embrace, without restraint, without defence.  The picture is born of an overflow of emotions and feelings." Miro, The Farm 'La Masia' (1921-22) I learnt a great deal about Miro on a recent visit to the Tate.  I learnt a great deal about a lot more too. Miro wanted to discover the sources of human feeling.  He described his method of creating poetry by way of painting, using a vocabulary of signs and symbols, metaphors and dream images to express definite themes he believed to be fundamental to human existence.  The exhibition displays his sense of humor and lively wit.  His chief concern was a social one; he wanted to get close to the great masses of humanity, and he was convinced that art can only truly appeal when it resonates with roots of lived experience.  "Wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly.  Courage cons...